More bookbinding

It is easier after you’ve made a few books. I haven’t kept count but it’s more than fifty so far. This time around I’m taking short cuts. The project is to make draft copies – not for the demands of daily wear and tear. Also I’m not 100% keen on landing the commission of making the final copies, so it is in my interest to do a poor job here. But one that shows off the contents well enough that they go ahead with the project.

So, shortcut one: using regular 80gsm Reflex copy paper on special from the Post Office. The lighter paper curls more, and jams more. This is plain and too white, but it works.

I’ve also changed the way I print and cut the pages. Now I’m using the whole width of the A4 stock. Only two slices and I get two books. It doesn’t print the thumbs right to the top and bottom edge, but I can live with that. Also means the guide on the guillotine can stay in the same place all the time – no realigning during or between book blocks.

So you line up the book in the guillotine, remembering to put in the end papers too, clamp it down good and tight, hope for the best and pull down the lever. Sometimes it cuts good (see right). Sometimes the stack can skew as the blade comes down and it cuts bad. And there’s no undo button. And it’s a 292 page book that you don’t want to print again. The first sign is the trimmings (see left). See the words of the thumbs sliced off a bit. This is where Patience is required. The way to avoid this is to clamp the paper down very tight indeed. It will appear to buckle a little but that is better than watching the bottom of the stack slide towards the blade as you’re halfway there.

Then you straighten up the pages. Now if pages were flat this would be fine. Tap tap tap, all ready. But after the printing the pages curl and it requires more patience to get the spine edge lined up perpendicular or orthogonal, and then to hold it straight while you transfer the block to the press.

I’m using two presses, a wooden one and one made of two rulers and two clamps. The ruler press needs a box to sit in. The wooden one sits on the table. Both ways work fine. The ruler way is a little easier getting the pages straight, but tends to sit closer to the gutter edge, leaving less room to glue the spinecloth down the sides, but you learn to compensate for that. The wooden one inspires more confidence and is a bit more stable.

Then you get lots of PVA glue and brush it liberally over the spine, being careful to avoid getting it on the other edges of the book that need to be able to open – you can always fix these with a craft knife afterwards, but better if you can avoid the need. My junior photographer didn’t get a good shot of this step. It is a bit daunting spread wet stuff on your newly printed and cut book, but it does generally work out for the best and is not so taxing as some of the other steps here.

Then you get your spine cloth. Hopefully you have some already cut to a handy size ready to apply to the wet glue. I’m not sure what this fabric is I’m using tonight. It’s something like very worn out sheets or pillowcases. Maybe an old shirt. It’s lightweight but still holding together. Some use a more open weave fabric like muslin, but others recommend a tighter weave. To my mind the more threads holding it together the better.

The spine cloth helps hold the spine more closed. It’s good that the spine fans out a little before you put the glue on because the glue can get at more of the pages. Putting the spine cloth on you sort of spread it out taught and then stick down the sides onto the endpapers to hold the spine fairly closed. Then I brush more glue on for good measure. The glue really shrinks away when its dry, so seems good to really go crazy. When this bottle is finished I can open my big 2L bottle – but probably keep refilling the little bottle so it doesn’t all dry our too much. Also this is where I wash the brushes, only to change my mind and do some more glue-ing and then wash the brushes again. The water-based PVA does wash out, but you want to be thorough so the brush will be bendable next time.

So then I decided to try glueing ribbons in place – a risky business getting them on the top of the spine, but we’ll see in the morning.Found decent size rolls of 3mm ribbon at the local Filipino run junk shop. Lots of colours and patterns available.

The books are not quite finished yet and i am done for tonight. In the morning I plan to apply self adhesive cardboard and cloth tape for the spine to make a simple cover.

DIY book binding

stack of printed paperOne way to bind a book so it can open flattish and look passably traditional. To start with take a stack of paper. Run it through the printer if you like printed books, or leave blank if you like books to write or draw in. Thick books are a great way to learn how to clear paper jams on your printer. Good printers have all sorts of levers and things to open out to access almost any part of the pathway the paper travels. Make sure you get all the pieces if the page is ripped.

Guillotine Next you might like to trim your paper to size. You can use a ruler and cutting blade but after a while you might find yourself eyeing off a guillotine or paper stack cutter. The one in the picture is said to cut through 40mm of paper which is roughly 400 pages 80gsm or 500 70gsm. Also, as an aside, Kmart sells cheap 70gsm paper. It does tend to jam, about once every 200 pages, but it is thinner and less stridently white – more grey with tiny flecks. Xerox sells a better quality 75gsm paper that doesn’t jam so much and a local paper merchant by the name of Vilensky can get a4 60gsm paper intended for those carbon paper pads, but that costs more and tends to curl alarmingly when coming through the printer – but it didn’t jam.

sliced thumbnailA word of warning about Guillotines. They generally come with a perspex guard around the cutting area which makes it very difficult to see where the blade is going to cut the paper. The guard can come off easily and makes it simpler to align the paper – BUT IT IS THERE FOR A REASON. Even with the blade stationary in the air just hitting your finger against it can cause a significant cut. This picture shows the nice swoosh sort of pattern which is where the blade caught my thumbnail while I was lining up the paper. This is two days after the injury, but it did bleed at the time and was quite painful. If it can cut through the nail so easily I don’t want to try it with skin. So the perspex cover is back on.

book pressOnce the paper is trimmed you can add folded endpapers and put it in some sort of clamp or book press ready to glue. I’m using red paper for the endpapers. Here I’ve used two types of PVA glue – Selley’s Aquadhere and a cheap EC brand PVA glue. The Aquadhere is very strong and dries very clear. The cheap stuff is more dilute and ends up more flexible. The cloth is a seaside print, probably poly-cotton. You shouldn’t be able to see the print once the book is all put together. There are great videos on this step at Temper Productions. Those instructions say to “fan glue” by bending over the pages to fan the edges out a bit and get more glue on the edges. It didn’t seem to be so good for these books – simpler just to brush on plenty of glue and it makes enough contact with the edges of the pages. Only time will tell.

I leave the book in the press for a few hours to let the glue dry before taking it out. The glue is supposed wait 12 hours before stressing the join so do try to resist the temptation to open up the book and see how the spine bends. It should be better to wait a day or so before opening the book right up.

materials for the caseNext its time to make the case or cover for the book. Here I have two boards made of some self-adhesive cardboard that my husband happens to have. It is a bit thinner than the 1.8mm box board I was using before. Theoretically the self adhesive-ness makes it easier, but it has its own drawbacks and I’d say you don’t miss much if you can’t find it.

The board is cut to the size of the book. About the same width as the book but a little taller. The board will sit just a little in from the spine so should stick out over the other three edges.

The spine piece is a slice of 80gsm paper. Any writing on it does tend to show through the spine so its best if at least one side is blank. Here I should have the blank side of the spine and the adhesive side of the cardboard face up.

Spine tapedThis is 72mm Tenacious cloth tape. I got it from Qualtape. It’s the matt variety which seems more suited for laying out lines on wooden floors where you want to be able to peel it off again without leaving any residue behind. They do have a semi-gloss and a gloss version which sound like they would stick better. That said it sticks very well to the self-adhesive board and the uncoated paper and to itself. The tricky bit here is to get the tape aligned right first try. It won’t peel off the board once its down (unless I’ve forgotten to peel the backing off the self-adhesive board, in which case it comes off very easily). This is where regular box board might be better – but you use what you have. The tape is stuck down another 14cm or so below the book to make triangles to bind the corners. A book with just the spine covered in cloth or leather is called “Quarter Bound”. With the corners as well it is called “Half Bound”.

trimming cornersSo once the triangles are stuck on the corners then the brown paper is lined up with the edge of the spine tape to cover the spine tape by 2mm or so. This is where the self-adhesive boards help because you can smooth down the paper straight onto the boards without having to apply glue first. If you have regular box board though you might brush PVA glue over the boards first. Then time to trim the brown paper back from the corners so the red tape shows through. Slip an offcut of cardboard between the red tape and the brown paper and lay the ruler along the place to cut – again about 2mm over the edge of the tape, but its hard to tell so there’s a bit of trial and error here.

boards all coveredThis is how it should look. Well, it should look a little straighter, but it looks a lot neater once the edges are folded in.

Next, turn the whole thing over.

trimming tape cornersNext you trim the corners of the tape. You don’t cut right to the corner of the board, but leave a little distance so the tape can cover the corner. This is another trial and error bit. This also leaves you with four little triangles of cloth tape. If you stick these on the side of the table, someone is sure to come along and find a use for them – or maybe that’s just where you have preschoolers around. They do come in handy for some things. I should have got a photo of my youngest with red triangles on each of his fingers. Hmmm, I wonder where they ended up…

folding cornersYou fold over one edge of the corner then sort of squish in the corner a bit – something like an origami squash fold. Then fold up the other edge and it should look something like what you see in regular cloth-bound books.

Corner doneLike that.

almost thereNow we’re almost there. Fold over the brown paper too and wrap it around the text block – that’s the stack of paper with the cloth stuck to one side.

glueOpen out one side and slap lots of glue around. Glue down the brown paper edges while you’re at it. The inside of the cover should be all gluey to a few mm of the edges. You can slip in a bit of glue to finish gluing the spine cloth to the endpapers. The backing from the self-adhesive sheets comes in handy to slip in the folded endpaper to stop to much moisture and/or glue getting into the text block. In the photo I’m using some rejected A4 sheets folded in half.

ShutShut the book, carefully aligning the cover. Then turn the book over and repeat on the other side.

Stack up the books to dry. A regular book would be put in a book press to get it good and flat and make the little grooves along the side of the spine. I just put them under a stack of books, maybe putting some extra paper in there to help soak up any pesky moisture.

front picturesChoose a picture to mark which side is front. Hardback books are often stamped with their name or some other design. A punch is made good and hot and pressed down onto some special gold foil to leave a gold design impressed into the cover. In the absence of gold foil or hot punches, I’m cutting pictures out of old calendars and magazines. The Christmas pictures were used to make Christmas Cards, but there are lots of other pictures left for applications like this.

Next I glue the pretty picture on the front with regular stick glue and cover with some sort of clear self-adhesive covering – PVC or polypropylene – A generous benefactress gave me a few rolls of each. The PVC is more matt and the polypropylene is clearer. I think the PVC is a little quieter when opening the books, but both are pretty good if covered tightly. Except for a cheap and nasty roll from the junk shop – life’s to short to buy cheap self-adhesive book covering. I’d half like to try out RAECO‘s range of library book coverings, but there’s heaps here to use up first.

You could glue ribbons into the spine to act as bookmarks. They usually go in between the spine cloth and the headbands – which I don’t have. Some missals have removable tags with ribbons attached that are inserted into the spine. Right now I don’t have much ribbon so I’m putting in holy cards as markers.

Here are the finished books.finished Some pages got a little stuck to gether at the edges from stray drops of glue. The PVA really soaks into the paper – not much chance of pages falling out. A blade is handy to separate pages.

Now to enjoy having new hymnbooks! What shall we sing this Sunday?

Book binding

Ah, back to the actual physical side of making books – paper, glue, bits of cloth.
My book binding equipment
Here we have my fancy bindery. The wooden book press came mostly from Hamish MacDonald’s bookbinding blog. It was my biggest woodworking project ever. Then I asked my husband how to do some modifications and he took it and smartened it up a lot.

The other inspirational website was Temper Productions book binding howtos. Although I’m not completely sold on the fan glue technique, his in-depth analysis of what goes on in the spine of a book is great stuff.

His idea is, instead of making the spine stronger and stronger, make it more flexible instead. The strong stitched spine made sense in the days when they used vellum, but thread bites through paper and today we have different glues available. His binding uses PVA glue and some cotton cloth – not loosely woven cheesecloth as some binders use, but more tightly woven.

A hand bound hard back book with flexible spine.Here you can see one of my home binding attempts. It’s my Draft Hymnal. See how the spine bends so the pages can open out flattish? The fan gluing seems to get more glue into the gaps between the pages which tends to tear the pages a little when you go to open it out flat. I think Mr Jermann of Temper Productions was using different paper and glue so that might explain the different results. Mr Macdonald’s technique of using folded 4 page signatures glued together without fanning them out from side to side seems to work better on photocopy paper.

Perfect bound book from LuluIn the picture to the right the spine is rigid. This is a perfect bound paperback from Lulu (another Draft Hymnal). Mr Macdonald’s paperbacks might have a similar look as he finishes the spines with hotglue, similar to POD publishers like Lulu. The hotglue forms a hard spine that joins the case to the spine. The hotglue dries quickly so makes book production much quicker. It is quite strong unless people force the book open flat.

It is amazing how many people apparently oblivious to the structural integrity of the book will try to open it flat. Watch next time. Especially when they are singing something under duress. All that pent up energy seems to go into that little area at the base of the valley of the open page. Watch for the little rips in the cover there and the way the book will open to that page again. Such books need extra protection from a plastic adhesive sort of covering.

A few home bound booksSo after having made a few books, here is the question. Shall I endeavour to make 200 copies of the Draft Hymnal at home? Or shall I outsource this work to a place like SOS Printing and pick up the ready bound books in boxes? Is the celloglazing, offered by the binders, enough protection for the books, or will I need to apply a plastic adhesive covering to each book?

In the meantime, I have a new craft, just in time for making Christmas presents.

Leafy hat to dye for

Three hats - fish, possum and OXs (OXen?)When the winter wind begins to blow my thoughts turn towards knitting hats. Socks and mittens too, but they take a little more commitment. So far this year has seen a fish/ganomy hat, a noughts and crosses/hugs and kisses cable hat and polly the possum ears hat. Next request was for a green leafy hat.

Searching ravelry yielded Leaf edged baby hat. graph for leafy edge The pattern for the edge comes from Barbara Walker’s 2nd treasury of knitting patterns. She does great pattern books but she had leanings towards spiritualism and weird things. The pattern needed graphing so here it is.

and the dye? I didn’t have any green, but I did have a dying wool with Children kit from Wooldancer. Similar to dying with Kool-Aid translated for a more sensible country that sells food colouring in little bottles marked “Food Colouring” rather than packets marked Kool-Aid. A great use for food colours too! Don’t eat them – knit them! Then once that was done I found some green wool too so I’m all set.

Thus begins our winter holidays.

Preparing to prepare

Or the advent of Advent.

Nanna has made our boys a beautiful Advent Calendar this year. There are 24 pockets waiting to be filled.

Of course, Catholic mothers all over the world have been thinking of how to celebrate Advent. Maybe next year I’ll be able to contribute a daily gregorian chant antiphon, but today I’m drawing on Catholic Mom’s Advent Activities – a long list of links. In particular the Jesse Tree from Domestic Church.

We are also signed up for the Holy Heroes Advent Adventure. The last one we opted for was a bit much to keep up with, but handy if the opportunity arises.

So, hopefully, a daily colouring in page will satisfy both the spiritual and recreational requirements of the season.